The most recent published checklist of the work of "Imperial Illustrator of Oz" John R. Neill was compiled by James Haff. It appeared in 1977, the centennial of Neill’s birth, in the Oz Club’s journal, The Baum Bugle. The 1977 checklist was an excellent advance on the Neill information previously available, but it had errors and omissions. For instance, no one had at that point checked all the Altemus boys and girls series to see which volumes Neill had actually illustrated.
In 1993 Dan Smith, then co-editor and production artist on The Baum Bugle, was working on an updated Neill checklist. That revised checklist corrected some of the 1977 information and added plenty of new information. It also raised new questions. The Dan Smith checklist has never been published, which is a shame. It should be - although at this point it needs its own update.
Case in point: One of Dan’s questions was whether a Neill-illustrated edition of El Trovador, the 1836 Spanish Romantic play by García Gutiérez (the basis for Verdi’s opera Il Trovatore), had ever been published by Ginn and Company. Preparatory drawings by Neill for an illustrated version of El Trovador were in the possession of Neill’s daughters, but Dan wondered whether anyone had ever seen a copy. Did the book even exist?
Well, the answer turned out to be “yes.” A copy of Neill’s 1926 illustrated version of El Trovador has been hanging out in the Tiger Den for several years now, thanks to an online search prompted by Dan’s question. And now Hungry Tiger Press is happy to present some of those illustrations for your viewing pleasure, executed in Neill’s intricate pen-and-ink style.
Friday, April 13, 2012
Wednesday, April 11, 2012
Treasury of the Forgotten Forest!
I'm very pleased to announce the publication today of a wonderful and incredibly over-sized edition of Eric Shanower's graphic novel The Forgotten Forest of Oz.
This new "Treasury Edition" from comics publisher IDW measures 10" x 13 1/4" so that Shanower's art is printed larger than ever before, allowing full appreciation of the fine, detailed linework and the rich tones of each watercolored panel. But there's more than just the acclaimed story of The Forgotten Forest of Oz. Aside from the dramatic new cover painting, this Treasury Edition features over sixteen pages of bonus material, including previously unpublished color versions of the original endpapers, never-before-seen character sketches, the artwork and script for the very first version of this tale called "The Story of Nebelle," and the preliminary art and script for the original ending of Forgotten Forest which was quite different and hasn't been published in its entirety until now!
I'm also happy to let you know that this spectacular new reprint is available to order at our online store. And as a special offer, the first hundred copies ordered from Hungry Tiger Press will come with a signed and numbered bookplate designed especially for this offer by Eric Shanower.
Also, if you would like your book personally autographed, Mr. Shanower has agreed to do so. Simply make the request in the "special instructions" field during checkout.
You can look at a preview of the new edition of The Forgotten Forest of Oz by clicking here.
This new "Treasury Edition" from comics publisher IDW measures 10" x 13 1/4" so that Shanower's art is printed larger than ever before, allowing full appreciation of the fine, detailed linework and the rich tones of each watercolored panel. But there's more than just the acclaimed story of The Forgotten Forest of Oz. Aside from the dramatic new cover painting, this Treasury Edition features over sixteen pages of bonus material, including previously unpublished color versions of the original endpapers, never-before-seen character sketches, the artwork and script for the very first version of this tale called "The Story of Nebelle," and the preliminary art and script for the original ending of Forgotten Forest which was quite different and hasn't been published in its entirety until now!
I'm also happy to let you know that this spectacular new reprint is available to order at our online store. And as a special offer, the first hundred copies ordered from Hungry Tiger Press will come with a signed and numbered bookplate designed especially for this offer by Eric Shanower.
Also, if you would like your book personally autographed, Mr. Shanower has agreed to do so. Simply make the request in the "special instructions" field during checkout.
You can look at a preview of the new edition of The Forgotten Forest of Oz by clicking here.
Monday, April 9, 2012
Map of Oz Monday - The Surrounding Countries
Last week we looked at the 1914 Map of the Land of Oz from the first edition of Tik-Tok of Oz, so this week we'll be exploring the Map of the Countries Near to the Land of Oz from the back endpaper of that book.
The most obvious and important detail on this map is that Baum has filled in the the countries beyond the desert with the geography from most of his non-Oz fairy tales: The Life and Adventures of Santa Claus, Dot and Tot of Merryland, Queen Zixi of Ix, and John Dough and the Cherub. Baum had first shown us that these places were in the same universe in The Road to Oz - but now we have geographical evidence of their proximity
It's interesting that Baum did not work Mo into the map, although he'd already introduced Mo into the Oz books with the Wise Donkey in The Patchwork Girl of Oz the previous year. And of course Trot, Cap'n Bill, and Button-Bright visit Mo before they travel to Oz in The Scarecrow of Oz the year following this map.
As in the 1914 Map of the Land of Oz Baum has added a couple locales that readers were not yet familiar with, such as Rinkitink, Boboland, and the Island of Pingaree. I wonder whether Baum added them to this map because he had hopes of one day publishing the 1905 manuscript King Rinkitink or if he already knew he would turn that manuscript into Rinkitink in Oz in 1916.
There are a few oddities and mistakes on this map. Hiland and Loland should be an island as it is clearly described as such in John Dough. If I were to put on my "rationalist" hat and say Baum makes no mistakes, I think I'd solve this by suggesting that when the tide comes in from that side of the continent - perhaps it isolates the central part of the two countries - surrounding them with water - rather like Mont Saint Michel on the Normandy coast of France. But in reality I think Baum just messed up. The Mifkits are supposed to be on an island as well.
The Country of the Gargoyles ought to be on top of Pyramid Mountain. And indeed the Gargoyles, Pyramid Mountain, and the Valley of Voe ought to be shown as being underground along with the vegetable kingdom of the Mangaboos. It's sort of odd to think that most of the events in Dorothy and the Wizard in Oz were happening in Boboland!
The Land of Ev also has some problems. In the Oz Club maps which we will be discussing in a few weeks Dick Martin and Jim Haff felt that Ev should be expanded to include the area designated as the Dominions of the Nome King, as those dominions are supposedly under the Land of Ev. I'm not sure I like expanding Ev that much. I think the area shown as being the Nome King's is a sort of no-man's land - an inhospitable rocky area not fit for much life. Clearly the Nome King has control over some of the lands above ground as he had authority to install the Giant with the Hammer.
There is a bigger problem with Ev though - the geography and position of the Castle (actually the City of Evna) is supposed to be on a strip of land thin enough that from the castle tower Dorothy can see both the Nonestic Ocean and Ozma approaching on the Deadly Desert. A massive harbor would have really helped solve this problem!
Another problem is that the island of Pingaree is shown to be far too large. Pingaree is one of the few locales in the Oz books for which we have exact measurements: three miles by four miles. If that scale is applied to this map the Land of Oz is only about forty-five miles wide - this seems a little bit undersized. That said, if this section of the map is accurate to scale, perhaps Dorothy could just barely have a view of both the desert and the Nonestic from a very tall castle tower. Especially if Evna is at a substantial elevation. At this scale the Castle of Evna is about seventeen miles from the Nonestic shoreline. The track of the Magic Carpet shows the crossing as occurring near the country of Oogaboo. Yet in Ozma of Oz the party returns to Oz and visits with the King of the Munchkins. If the position of the Evian castle is correct it's hard to imagine any path that would take one from Ev to the Munchkin Country.
One thing I do find rather neat is the way Baum shows the mountain of the Phanfasms. It almost looks like there could be two peaks. We know from Emerald City that the Phanfasm's peak is tall and cylindrical - rather like Mount Munch or "Devil's Tower" in Wyoming, better known as the mountain in the film Close Encounters.
I just wonder if seeing this indication of a double peak on the 1914 map might have been what sparked Jack Snow to write about a second mountain for the Magical Mimics.
The one place shown on the map that Baum never wrote about is the oddly named Kingdom of Dreams. This has never sounded like a Baum locale to me. I hate to think what the dreams in such a place are like considering the unfriendliness of its geographical neighbors.
Many of the inconsistencies or oddities on this map might be blamed on the Woggle-bug, who presumably drafted this map since he's credited with the other one. I doubt he did his own explorations, so some error and misinformation are bound to have crept in. Perhaps he interviewed people when they were visiting the Emerald City for Ozma's birthday party?
This map, like last week's, features the non-traditional compass. This raises a question. Since this is an Oz map made by an Oz character from an Ozian point-of-view, does this imply that the whole continent of Nonestica had the east/west reversal?
And I have a question for all my readers - post your thoughts in the comment section. Given the backward compass in use in the 1914 maps there are two ways that could play out in the physical world. Do Oz folk simply call east what we call west - essentially just swapping the names. Or do you assume this means the sun still rises in the east over the Munchkin Country and from an Ozian point-of-view travels backwards from our own?
For a variety of reasons I think the sun rises over the Munchkin Country and sets on the Winkie horizon. I suspect there might even be some mentions of such in the post-Emerald City of Oz books, though I have not looked for one yet. But none of the mortals has ever mentioned that the sun appears to travel backwards through the sky compared to normal earth rotation. Any thoughts?
Next week we will continue this discussion with a look at the map from The Lost Princess of Oz.
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| Map of the Countries Surrounding the Land of Oz - CLICK TO ENLARGE |
The most obvious and important detail on this map is that Baum has filled in the the countries beyond the desert with the geography from most of his non-Oz fairy tales: The Life and Adventures of Santa Claus, Dot and Tot of Merryland, Queen Zixi of Ix, and John Dough and the Cherub. Baum had first shown us that these places were in the same universe in The Road to Oz - but now we have geographical evidence of their proximity
It's interesting that Baum did not work Mo into the map, although he'd already introduced Mo into the Oz books with the Wise Donkey in The Patchwork Girl of Oz the previous year. And of course Trot, Cap'n Bill, and Button-Bright visit Mo before they travel to Oz in The Scarecrow of Oz the year following this map.
As in the 1914 Map of the Land of Oz Baum has added a couple locales that readers were not yet familiar with, such as Rinkitink, Boboland, and the Island of Pingaree. I wonder whether Baum added them to this map because he had hopes of one day publishing the 1905 manuscript King Rinkitink or if he already knew he would turn that manuscript into Rinkitink in Oz in 1916.
There are a few oddities and mistakes on this map. Hiland and Loland should be an island as it is clearly described as such in John Dough. If I were to put on my "rationalist" hat and say Baum makes no mistakes, I think I'd solve this by suggesting that when the tide comes in from that side of the continent - perhaps it isolates the central part of the two countries - surrounding them with water - rather like Mont Saint Michel on the Normandy coast of France. But in reality I think Baum just messed up. The Mifkits are supposed to be on an island as well.
The Country of the Gargoyles ought to be on top of Pyramid Mountain. And indeed the Gargoyles, Pyramid Mountain, and the Valley of Voe ought to be shown as being underground along with the vegetable kingdom of the Mangaboos. It's sort of odd to think that most of the events in Dorothy and the Wizard in Oz were happening in Boboland!
The Land of Ev also has some problems. In the Oz Club maps which we will be discussing in a few weeks Dick Martin and Jim Haff felt that Ev should be expanded to include the area designated as the Dominions of the Nome King, as those dominions are supposedly under the Land of Ev. I'm not sure I like expanding Ev that much. I think the area shown as being the Nome King's is a sort of no-man's land - an inhospitable rocky area not fit for much life. Clearly the Nome King has control over some of the lands above ground as he had authority to install the Giant with the Hammer.
There is a bigger problem with Ev though - the geography and position of the Castle (actually the City of Evna) is supposed to be on a strip of land thin enough that from the castle tower Dorothy can see both the Nonestic Ocean and Ozma approaching on the Deadly Desert. A massive harbor would have really helped solve this problem!
Another problem is that the island of Pingaree is shown to be far too large. Pingaree is one of the few locales in the Oz books for which we have exact measurements: three miles by four miles. If that scale is applied to this map the Land of Oz is only about forty-five miles wide - this seems a little bit undersized. That said, if this section of the map is accurate to scale, perhaps Dorothy could just barely have a view of both the desert and the Nonestic from a very tall castle tower. Especially if Evna is at a substantial elevation. At this scale the Castle of Evna is about seventeen miles from the Nonestic shoreline. The track of the Magic Carpet shows the crossing as occurring near the country of Oogaboo. Yet in Ozma of Oz the party returns to Oz and visits with the King of the Munchkins. If the position of the Evian castle is correct it's hard to imagine any path that would take one from Ev to the Munchkin Country.
One thing I do find rather neat is the way Baum shows the mountain of the Phanfasms. It almost looks like there could be two peaks. We know from Emerald City that the Phanfasm's peak is tall and cylindrical - rather like Mount Munch or "Devil's Tower" in Wyoming, better known as the mountain in the film Close Encounters.
I just wonder if seeing this indication of a double peak on the 1914 map might have been what sparked Jack Snow to write about a second mountain for the Magical Mimics.
The one place shown on the map that Baum never wrote about is the oddly named Kingdom of Dreams. This has never sounded like a Baum locale to me. I hate to think what the dreams in such a place are like considering the unfriendliness of its geographical neighbors.
Many of the inconsistencies or oddities on this map might be blamed on the Woggle-bug, who presumably drafted this map since he's credited with the other one. I doubt he did his own explorations, so some error and misinformation are bound to have crept in. Perhaps he interviewed people when they were visiting the Emerald City for Ozma's birthday party?
This map, like last week's, features the non-traditional compass. This raises a question. Since this is an Oz map made by an Oz character from an Ozian point-of-view, does this imply that the whole continent of Nonestica had the east/west reversal?
And I have a question for all my readers - post your thoughts in the comment section. Given the backward compass in use in the 1914 maps there are two ways that could play out in the physical world. Do Oz folk simply call east what we call west - essentially just swapping the names. Or do you assume this means the sun still rises in the east over the Munchkin Country and from an Ozian point-of-view travels backwards from our own?
For a variety of reasons I think the sun rises over the Munchkin Country and sets on the Winkie horizon. I suspect there might even be some mentions of such in the post-Emerald City of Oz books, though I have not looked for one yet. But none of the mortals has ever mentioned that the sun appears to travel backwards through the sky compared to normal earth rotation. Any thoughts?
Next week we will continue this discussion with a look at the map from The Lost Princess of Oz.
Sunday, April 8, 2012
I Was a Pre-teen Margolotte
You may may be wondering why I'm sharing a photo of myself at nine years old playing with Cookie Monster and Oscar the Grouch. It has nothing to do with my fondness for vintage SESAME STREET toys, but everything to do with the patchwork coat I am wearing.
I don't recall where that little patchwork coat came from, but I do remember I immediately thought of the Patchwork Girl when first I saw it. I had nearly outgrown it in this photo. My sister wore it sometimes; she was five years younger than I was, but big for her age. Anyway, about a year after this photo was taken I got it in my head to make a Patchwork Girl out of it.
My mom took me to a fabric store and - wonder of wonders - they even had some patchwork-printed fabric! We bought several yards, I chose a pair of buttons for eyes, a yellow pom-pom for a nose, and some brown embroidery thread for her hair.
To make the body I spread a double layer of the patchwork fabric on the floor and had my sister lay down on it. I then traced my five-year-old sister and cut out the shape. When my dad came home from work I asked him to sew the basic seam around the edges, which he did. (Mom wouldn't have been caught dead near a sewing machine!) After Scraps was sewn I stuffed her with shredded foam rubber.
I sewed the head myself - by hand. I didn't really grasp the concept of research and failed to reread the description of Scraps in the book. So she ended up with blue eyes and the pom-pom nose. I had remembered her nose was yellow. I gave her some tan cotton gloves (now lost), and she wore socks and a pair of my grandmother's high-heels at first (they are now long-lost, too).
Over the years she wore out some. I think my mom's last dog got ahold of her, too. In any case her head ripped, foam bits started to fall out, and she's been a mess for a long time now. I finally decided she needed some basic refurbishment. I bought some poly-fil batting a few days ago, came home, took off her coat, and began the overhaul.
Because of the way I made her there was no easy way to get to the foam, so I made a neat incision in her back and pulled out all the foam rubber and restuffed her with the poly-fil batting. I must add that I get very sentimental over some stuff and it is really hard to throw the old foam rubber away. I stuffed it all in her when I was ten! Yet it's aging badly and if she was going to survive she needed a more stable stuffing. I still have to make some repairs to her dress, too.
When it came time to repair her head I pulled out the foam bits and inside her head I found a big hard wad of cotton balls. I had totally forgotten I had put them in her head. It was an un-researched attempt at giving her brains. I repaired a big rip around her mouth and decided she was restored enough. I had sewn pearls in her mouth for teeth when I was ten - but they eventually fell out and I've chosen to keep my restoration efforts to a minimum - limiting myself to preservation - not restoration. I will probably try to find a pair of kid-sized white cotton gloves for her hands, though.
A couple years after I made this Scraps I made an eight-inch-tall version to go with my Mego Wizard of Oz toys. That one is long gone. I'm glad I still have the big one - but I wish the cat didn't look at her so longingly!
Saturday, April 7, 2012
Jackpot!
A few days ago a friend called to ask if I wanted some Oz books he'd found at a local book sale. He said there were fourteen of them so I assumed it was a set of Baum titles. He didn't tell me the titles but he said they were older editions probably all from the 1940s. I asked how much they were and was told five bucks for the lot. I said, "Sure!"
My friend called back a bit later and said he'd been misinformed - that the books were $5 each. But if I was gonna take all fourteen I could have them for $50. I said, "Sure," again. This is what I got.
Needless to say I am quite pleased. All but one (a 1950s edition of Wonder City) are indeed from the 1940s; most have gift inscriptions from 1944 to 1946. They are all in quite nice condition and nearly all have their pictorial endpapers. There are three first editions: Captain Salt, Scalawagons, and Lucky Bucky as well as a 1944 first printing of the Evelyn Copelman edition of Wizard from 1944.
I'm quite excited for my little treasure trove - but I am beginning to think the value in Oz books is starting to come crashing down. I am seeing so many now. In the 70s, 80s, and 90s, Oz books were hard to find. One seldom walked into an old bookstore and saw a row of old Oz titles. Now I see a few at least in most every old bookstore I go into. And it's not just in San Diego. When Eric and I were driving across the country this past Christmas I saw quite a few Oz books along the way in Antique Malls and bookstores. The internet and eBay are overflowing with bargains! Multiple copies of Thompson first editions in dust jacket for under $300 - half the price such books would have been five years ago. All I can assume is that supply has caught up with demand and the Ozzy market is saturated.
Clearly very fine first editions, signed books, and the like hold a certain value - but from the prices I'm seeing online and in bookstores I doubt I could sell books I bought in the late 1970s for what I paid for them back then. There is a very decent first edition of Hidden Valley of Oz on eBay right now going for under $18 and no one is even bidding. There is another lovely (and overpriced) first edition in dust jacket going for almost $500, too. No one is bidding on that one either.
So while I'm really pleased with my little trove I do wonder what's happening to Oz and book collecting. Never has it been so easy and so affordable to build a decent collection. Sadly so few people seem to have an interest in doing so. That said, it's nice to have friends who will call when they find Ozzy treasure!
My friend called back a bit later and said he'd been misinformed - that the books were $5 each. But if I was gonna take all fourteen I could have them for $50. I said, "Sure," again. This is what I got.
Needless to say I am quite pleased. All but one (a 1950s edition of Wonder City) are indeed from the 1940s; most have gift inscriptions from 1944 to 1946. They are all in quite nice condition and nearly all have their pictorial endpapers. There are three first editions: Captain Salt, Scalawagons, and Lucky Bucky as well as a 1944 first printing of the Evelyn Copelman edition of Wizard from 1944.
I'm quite excited for my little treasure trove - but I am beginning to think the value in Oz books is starting to come crashing down. I am seeing so many now. In the 70s, 80s, and 90s, Oz books were hard to find. One seldom walked into an old bookstore and saw a row of old Oz titles. Now I see a few at least in most every old bookstore I go into. And it's not just in San Diego. When Eric and I were driving across the country this past Christmas I saw quite a few Oz books along the way in Antique Malls and bookstores. The internet and eBay are overflowing with bargains! Multiple copies of Thompson first editions in dust jacket for under $300 - half the price such books would have been five years ago. All I can assume is that supply has caught up with demand and the Ozzy market is saturated.
Clearly very fine first editions, signed books, and the like hold a certain value - but from the prices I'm seeing online and in bookstores I doubt I could sell books I bought in the late 1970s for what I paid for them back then. There is a very decent first edition of Hidden Valley of Oz on eBay right now going for under $18 and no one is even bidding. There is another lovely (and overpriced) first edition in dust jacket going for almost $500, too. No one is bidding on that one either.
So while I'm really pleased with my little trove I do wonder what's happening to Oz and book collecting. Never has it been so easy and so affordable to build a decent collection. Sadly so few people seem to have an interest in doing so. That said, it's nice to have friends who will call when they find Ozzy treasure!
Thursday, April 5, 2012
Kabumpo Goes to Moscow
As you have undoubtedly read on this blog, we will be celebrating Ruth Plumly Thompson's birthday at this year's Winkie Convention. It promises to be a grand time and in addition to some great Thompson programming on Friday evening the convention will also feature an elaborate display of Thompson's work. And over the next few months I will try to give you a few sneak previews of some unusual and little known Thompson material.
Today I want to share a quite lovely Russian edition of Thompson's second Oz book Kabumpo in Oz. Only seven of Thompson's Oz books have ever been translated into any language and all seven were published in Russia.
The Russian Kabumpo was published in 2001 by Vrymy. And it is almost certainly the most beautiful and luxurious edition of Kabumpo ever published. Can any of my readers translate the title of the book for me?
The cloth binding is stamped in gold on the front cover and spine and features an undersized version of the original pictorial cover label - slightly reworked to omit the lettering.
The book also features John R. Neill's original pictorial endpapers printed in plum-colored ink.
The interior of the book is beautifully designed, too. The handsome new title page can be seen at right and there is a two-page introduction explaining how Thompson acquired the mantle of Royal Historian of Oz and offers a few biographical details..
The volume includes all of Neill's original illustrations which are printed in the same plum-colored ink as the end sheets - as are the running titles. The text of the story is printed in black creating a vibrant contrast.
What makes this Russian edition even more special is the inclusion of all twelve of Neill's color plates.
There are similar editions of The Royal Book of Oz and Captain Salt in Oz - but I chose to show you Kabumpo as we are putting a special Winkie Convention focus on Thompson's Ozzy "Pumperdink" stories.
So come on, stretch your ears and pack your trunk and come join us at the Winkie Convention this summer! Click here or on the WINKIE CON tab at the top of this page for further details.
Today I want to share a quite lovely Russian edition of Thompson's second Oz book Kabumpo in Oz. Only seven of Thompson's Oz books have ever been translated into any language and all seven were published in Russia.
The Russian Kabumpo was published in 2001 by Vrymy. And it is almost certainly the most beautiful and luxurious edition of Kabumpo ever published. Can any of my readers translate the title of the book for me?
The cloth binding is stamped in gold on the front cover and spine and features an undersized version of the original pictorial cover label - slightly reworked to omit the lettering.
The book also features John R. Neill's original pictorial endpapers printed in plum-colored ink.
The interior of the book is beautifully designed, too. The handsome new title page can be seen at right and there is a two-page introduction explaining how Thompson acquired the mantle of Royal Historian of Oz and offers a few biographical details..
The volume includes all of Neill's original illustrations which are printed in the same plum-colored ink as the end sheets - as are the running titles. The text of the story is printed in black creating a vibrant contrast.
What makes this Russian edition even more special is the inclusion of all twelve of Neill's color plates.
There are similar editions of The Royal Book of Oz and Captain Salt in Oz - but I chose to show you Kabumpo as we are putting a special Winkie Convention focus on Thompson's Ozzy "Pumperdink" stories.
So come on, stretch your ears and pack your trunk and come join us at the Winkie Convention this summer! Click here or on the WINKIE CON tab at the top of this page for further details.
Monday, April 2, 2012
Map of Oz Monday - The 1914 Map of Oz
Last week we looked at the earliest Map of the Land of Oz. Today we explore the first detailed map of the Land of Oz, and to my mind, the most important - the map included as the front endpaper of the first edition of Tik-Tok of Oz in 1914.
I have no doubt L. Frank Baum drew and designed this map (though publisher Reilly & Britton probably had a staff artist prepare the final inked drawing). Indeed, Baum's involvement in the creation of this map is what to me gives it such authenticity. L. Frank Baum decided on the shapes of the countries, their borders, mountains and rivers, etc.
One can truly see Baum's mind at work in many of the choices he made - especially in the fact that he added locations to the map that he had not yet written about, such as Mount Munch, Jinxland, the Yips, Skeezers, as well as a vast forest in the Gillikin Country and a large lake just outside the Emerald City. Baum eventually used the forest in The Magic of Oz when we learned it was the Forest of Gugu but he never made use of the lake.
Before I go any further in my analysis of the Tik-Tok maps, I guess I had better address the most controversial aspect of this map - that east and west are reversed in the Land of Oz. Again, I have no doubt this is L. Frank Baum's intention. Mainly because no other explanation makes sense. In the Oz books Baum always has the Munchkins in the east and the Winkies in the west with no exceptions.
There have been many half-baked notions on how Baum might have made such a supposedly grievous error. One of the silliest is that he based his map on the glass Magic-Lantern slide of the "Fairylogue map," and that Baum simply viewed the slide from the wrong side. Could you look at the glass slide below and not realize it was backward?
Perhaps Baum just confused his east and west directions? Uh huh ... and neither Baum, nor his wife, or the artist who redrew it, or John R. Neill, or the publisher ever said, "Hey LFB, you got your compass points wrong!" If Baum had some moment of directional dyslexia when he drew the rough map, there are just too many eyes and too many steps, from his sketchy doodles to finished drawing, to making proofs, to printing the book, for this not to have been EASILY corrected. If it wasn't corrected - it wasn't an error - thus, this is how Baum viewed Oz.
This seemingly wonky choice of Baum's may well have rankled Reilly & Britton because soon after Baum's death the publisher reissued the map with a "corrected" traditional compass and THAT caused a whole fairyland of trouble! But I'll save that discussion for a future blog post!
We will never know why Baum flipped east and west. Perhaps he planned to tell a tale about it he never got around to. My favorite theory in an "Oz as a real place" frame of mind is that the east/west flip has to do with how Glinda created the Barrier of Invisibility at the end of The Emerald City of Oz. After all, on the 1908 map the eastern Munchkins are seen on the right and the western Winkies are seen on the left - just like our directions. So this "Barrier of Invisibility" idea explains and validates both maps. In 1908 directions were normal, after 1910 they were flipped. This rationalization even solves the seeming error at the end of Ozma of Oz when the rescue party returns home from the Land of Ev and visits with the King of the Munchkins. In 1907 Ev was indeed across the desert from the Munchkin Country. After 1910 it was not. Is everybody still with me?
There are certainly a few problems with this mirror-flip Barrier of Invisibility theory. For one, the path of the sand boat doesn't work. And in the Map of Surrounding Countries (which we will discuss next week) the compass directions match those of Oz. Did Glinda flip directions for the entire continent?
There are a few small errors on this 1914 Oz map. The Truth Pond looks rather like the Truth Lake and the Yellow Brick Road is shown as being totally straight. It's certainly possible, but I think few people imagine it as such. It's interesting to note that Baum has it extend out of Oz and on into the Desert. It could be Baum failed to erase guidelines and the cartographer simply inked it all in? Or perhaps there was to be a story about this someday.
I've given some more thought to the fact that the Fairylogue map is square. Last week I suggested Baum had drawn Oz to be a square-shaped. I don't think so anymore - the map is too stylized. I think the Fairylogue Map is simply showing a smaller portion of Oz and the map simply doesn't extend to show the actual and perhaps then unknown borders. The Fairylogue Map's double-ruled delineation of the deadly desert does not show the actual border either, but only indicates that an unknown desert barrier surrounds all of Oz.
Perhaps the Fairylogue Map is simply an old and not very accurate map from the days before Ozma came to power, the poor quality of said map being what prompted Ozma to commission a new set of maps to be made by Professor Wogglebug (who researched and drew the Tik-Tok maps according to the map legend). It's interesting to note that overlaying the two maps like this almost exactly creates that weird little triangular bite out of the north-western Gillikin Country. Perhaps Baum did use the 1908 map as a starting point! That said, I still think the only clear reason for the east/west reversal can be a deliberate choice on his part. Might Ozma have more clearly delineated and expanded the green area around the Emerald City? It's not shown at all on the 1908 map yet seems almost a country in itself on the 1914 one.
Lastly, I was surprised to see that the 1914 Map of the Land of Oz has never been reprinted anywhere except for the Books of Wonder and Bradford Exchange reprints of Tik-Tok of Oz. The first edition of The Annotated Wizard of Oz claims to have reprinted them, but in fact used the "corrected" 1920 version. The first edition copy of Tik-Tok here in the Tiger Den was missing a portion of the upper right free endpaper. I replaced it from the Bradford Exchange reprint (notice the non-matching whiteness of the desert area). I've complained about mediocre reproduction in these Bradford Exchange books before and, alas, I have still another fresh complaint! Bradford has distorted the map endpapers - I had to squash and stretch that little corner to make it fit, so don't count on the BE Tik-Tok maps for accuracy - they've been reproduced somewhat warped.
Next week we will take a look at the map of Countries Surrounding the Land of Oz. (Click here for the next Oz Map blog post.)
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| 1914 Map of the Land of Oz - CLICK TO ENLARGE |
I have no doubt L. Frank Baum drew and designed this map (though publisher Reilly & Britton probably had a staff artist prepare the final inked drawing). Indeed, Baum's involvement in the creation of this map is what to me gives it such authenticity. L. Frank Baum decided on the shapes of the countries, their borders, mountains and rivers, etc.
One can truly see Baum's mind at work in many of the choices he made - especially in the fact that he added locations to the map that he had not yet written about, such as Mount Munch, Jinxland, the Yips, Skeezers, as well as a vast forest in the Gillikin Country and a large lake just outside the Emerald City. Baum eventually used the forest in The Magic of Oz when we learned it was the Forest of Gugu but he never made use of the lake.
Before I go any further in my analysis of the Tik-Tok maps, I guess I had better address the most controversial aspect of this map - that east and west are reversed in the Land of Oz. Again, I have no doubt this is L. Frank Baum's intention. Mainly because no other explanation makes sense. In the Oz books Baum always has the Munchkins in the east and the Winkies in the west with no exceptions.
There have been many half-baked notions on how Baum might have made such a supposedly grievous error. One of the silliest is that he based his map on the glass Magic-Lantern slide of the "Fairylogue map," and that Baum simply viewed the slide from the wrong side. Could you look at the glass slide below and not realize it was backward?
Perhaps Baum just confused his east and west directions? Uh huh ... and neither Baum, nor his wife, or the artist who redrew it, or John R. Neill, or the publisher ever said, "Hey LFB, you got your compass points wrong!" If Baum had some moment of directional dyslexia when he drew the rough map, there are just too many eyes and too many steps, from his sketchy doodles to finished drawing, to making proofs, to printing the book, for this not to have been EASILY corrected. If it wasn't corrected - it wasn't an error - thus, this is how Baum viewed Oz.
This seemingly wonky choice of Baum's may well have rankled Reilly & Britton because soon after Baum's death the publisher reissued the map with a "corrected" traditional compass and THAT caused a whole fairyland of trouble! But I'll save that discussion for a future blog post!
We will never know why Baum flipped east and west. Perhaps he planned to tell a tale about it he never got around to. My favorite theory in an "Oz as a real place" frame of mind is that the east/west flip has to do with how Glinda created the Barrier of Invisibility at the end of The Emerald City of Oz. After all, on the 1908 map the eastern Munchkins are seen on the right and the western Winkies are seen on the left - just like our directions. So this "Barrier of Invisibility" idea explains and validates both maps. In 1908 directions were normal, after 1910 they were flipped. This rationalization even solves the seeming error at the end of Ozma of Oz when the rescue party returns home from the Land of Ev and visits with the King of the Munchkins. In 1907 Ev was indeed across the desert from the Munchkin Country. After 1910 it was not. Is everybody still with me?
There are certainly a few problems with this mirror-flip Barrier of Invisibility theory. For one, the path of the sand boat doesn't work. And in the Map of Surrounding Countries (which we will discuss next week) the compass directions match those of Oz. Did Glinda flip directions for the entire continent?
There are a few small errors on this 1914 Oz map. The Truth Pond looks rather like the Truth Lake and the Yellow Brick Road is shown as being totally straight. It's certainly possible, but I think few people imagine it as such. It's interesting to note that Baum has it extend out of Oz and on into the Desert. It could be Baum failed to erase guidelines and the cartographer simply inked it all in? Or perhaps there was to be a story about this someday.
I've given some more thought to the fact that the Fairylogue map is square. Last week I suggested Baum had drawn Oz to be a square-shaped. I don't think so anymore - the map is too stylized. I think the Fairylogue Map is simply showing a smaller portion of Oz and the map simply doesn't extend to show the actual and perhaps then unknown borders. The Fairylogue Map's double-ruled delineation of the deadly desert does not show the actual border either, but only indicates that an unknown desert barrier surrounds all of Oz.
![]() |
| Overlay of 1908 map on top of 1914 map. |
Perhaps the Fairylogue Map is simply an old and not very accurate map from the days before Ozma came to power, the poor quality of said map being what prompted Ozma to commission a new set of maps to be made by Professor Wogglebug (who researched and drew the Tik-Tok maps according to the map legend). It's interesting to note that overlaying the two maps like this almost exactly creates that weird little triangular bite out of the north-western Gillikin Country. Perhaps Baum did use the 1908 map as a starting point! That said, I still think the only clear reason for the east/west reversal can be a deliberate choice on his part. Might Ozma have more clearly delineated and expanded the green area around the Emerald City? It's not shown at all on the 1908 map yet seems almost a country in itself on the 1914 one.
Lastly, I was surprised to see that the 1914 Map of the Land of Oz has never been reprinted anywhere except for the Books of Wonder and Bradford Exchange reprints of Tik-Tok of Oz. The first edition of The Annotated Wizard of Oz claims to have reprinted them, but in fact used the "corrected" 1920 version. The first edition copy of Tik-Tok here in the Tiger Den was missing a portion of the upper right free endpaper. I replaced it from the Bradford Exchange reprint (notice the non-matching whiteness of the desert area). I've complained about mediocre reproduction in these Bradford Exchange books before and, alas, I have still another fresh complaint! Bradford has distorted the map endpapers - I had to squash and stretch that little corner to make it fit, so don't count on the BE Tik-Tok maps for accuracy - they've been reproduced somewhat warped.
Next week we will take a look at the map of Countries Surrounding the Land of Oz. (Click here for the next Oz Map blog post.)
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