Showing posts with label The Woggle-Bug. Show all posts
Showing posts with label The Woggle-Bug. Show all posts

Saturday, December 17, 2011

Emerald City Radio

We in the Tiger Den are delighted to announce that Hungry Tiger Press has its own internet radio station. And it's available free to all listeners! Our current playlist includes music from almost every Oz musical and Oz film - songs from the 1903 Wizard of Oz on up to the latest Oz hit by Andrew Lloyd Webber.

It's easy to listen to Emerald City Radio on Live365. Just click here to go to Live365 and click "Sign Up" in the upper right hand corner and join for free for access to thousands of internet radio stations. Then "Log In" and make a search for Emerald City Radio. When the Emerald City Radio logo shows up in your search results, just click on the logo to start listening right away! Listening is free.

If you don't want to hear any ads, you can become a Live365 VIP listener. Just click on the banner ad at the bottom of today's blog. It costs a few bucks a month to be a Live365 VIP, but as a VIP you can listen to a wider range of internet radio stations and you'll skip the advertisements.

Emerald City Radio allows a limited number of free non-VIP listeners. So in the slim chance you're kicked off the station or can't connect as a free listener, try again later when there may be fewer listeners. Or convert your account to VIP and you'll never have to leave Live365 unless you want to.

So come on and give Emerald City Radio a try. Our current playlist is over 7 1/2 hours long with such a wide variety of Oz songs and music that you're sure to hear some old friends and some new delights.

Emerald City Radio - all great, all powerful - all the time!  


Tuesday, August 31, 2010

The Equine Paradox

In this month's free TIGER TALE on our main website we offer the lyrics to L. Frank Baum's song "The Equine Paradox,"  from his 1905 flop stage musical The Woggle-Bug, which was an adaptation of Baum's second Oz book, The Marvelous Land of Oz (1904).   

It would be nice to imagine the song referred to the Sawhorse, but it really doesn't. The song featured music by Frederic Chapin.  

The short life-span of The Woggle-Bug musical has caused the original sheet music to be very rare today. But it has all been reprinted in our Complete Sheet Music from The Woggle-Bug.

Only a handful of song sheets survive - several of them in only one known copy! Hungry Tiger Press takes great pride in having collected all of them for you in a handsome and affordable volume.

All of the Woggle-Bug music that is known to survive is in this volume, including Paul Tietjens's "What Did the Woggle-Bug Say?". This volume also contains a reprint of the original Woggle-Bug program book, contemporary reviews, articles, and photographs. Plus a generous appendix featuring several songs from Chapin's 1902 hit, The Storks, and an informative foreword by David Maxine.

Saturday, July 3, 2010

Before the Rainbow - Designer Dilemmas

One of the most enjoyable parts of owning Hungry Tiger Press is designing the books and CDs. One of my favorite projects was designing the label for our first compact disc, Before the Rainbow; The Original Music of Oz, back in 1999. The CD is a collection of very rare Oz music and included a suite from the 1903 Wizard of Oz, long medleys from The Woggle-Bug and The Tik-Tok Man of Oz,  music from the 1913 film score for The Patchwork Girl of Oz,  and even music composed by L. Frank Baum himself for his plays The Maid of Arran and Prince Silverwings.

The booklet design was pretty straightforward. I used a 1903 poster featuring Montgomery and Stone as the Scarecrow and Tin Woodman for the booklet cover. I pulled an illustration of Tik-Tok from the more common red background Tik-Tok Man of Oz sheet music for the back cover of the booklet. And I used a photograph of the Cowardly Lion from the 1903 Wizard for the back of the CD case.

But I was stuck for what to do with the design for the actual disc itself. I've always liked CDs to be decorative, not just typography on the shiny silver disc. But CD label design is a little tricky. It's like designing a picture and typography that have to be printed on a doughnut. I looked through all of my notes and the assorted sheet music. Then I came across the alternate Tik-Tok Man of Oz sheet music cover that was used for Victor Schertzinger's interpolations.

"Hmmm," I thought, "too bad that decorative orange border isn't round . . ." And  instantly I saw the finished label design in my head. I scanned the sheet music and dropped out  the color, thus turning the image into a clean black and white illustration which I printed out in several sizes. I got out a piece of illustration board and my trusty compass and began to draw a number of concentric circles in the proportion of a CD label.

I cut out the faces of Tik-Tok and the Shaggy Man from my print-outs and positioned them on the right and left sides. I also cut out four of the the little "clock face" girls and positioned them, leaving room at the top for the title of the CD and at the bottom for credits and the copyright notice. The penciled circular lines were inked in and the new image was scanned back into the computer. The CD label was to be silk-screened onto the discs, and I was limited to two colors, so I picked a navy blue for the line art and made a second layer of color for the orange background in the top and bottom sections. I added the desired typography to the blue layer and at the last minute added an orange tone into the circles with the "clock face" girls.

 

I like to think it was a subconscious design choice, but it might have only been serendipity, that my orange and blue CD label so closely matched the orange and blue color scheme of the poster I had already used for the CD booklet cover. In any case, I was very proud of the look of my first compact disc.

The CD has been out for eleven years now and there are only a handful of copies left. If you don't already have one, this is a great time to check it out.